NEWS — DOMINIC HAWGOOD

REPRESENTATION

I've recently joined TADA, an agency run by Steve Fletcher (Carroll/ Fletcher), that supports cross disciplinary artists whose work does not fit naturally within the commercial gallery world

NEW WORK

It seems everything I'm doing lately involves learning new skills. This is a particle test, using objects and environmental lighting from Chasing Demons in the Night, and to be developed into a new image based series.

VISUALISATION

Currently looking into ways to more clearly display interior scenes I've been building.

ANIMATION

Production stills from a collaborative animation that explores light installation in the virtual

NEW WORK

3d scan that appeared in my latest installation for BDF x BSF

INTERVIEW

An interview with BJP on winning the International Photography Award and about my new animation project

INSTALLATION

My new site specific installation for Brighton Digital Festival x British Science Festival will be open until 13th October

INTERVIEW

Photoworks have just published an interview with me about my latest commission from Brighton Digital Festival x British Science Festival.

COLLABORATIVE ANIMATION

As my practice moves increasingly towards CG and simulation, a huge amount of work has just gone into completing a new animation with Jules Malcomson, the visuals for which sit alongside a track by ThisisDA.

INSTALLATION

A selection of work from Casting Out the Self is currently showing at Deichtorhallen Haus der Photographie, Hamburg

3D RENDERS

Looking into the science behind light to unravel the potential of photographic data.

INSTALLATION - CALOUSTE GULBENKIAN FOUNDATION

PHOTOGRAPHIC RELIGHTING TEST

An advanced technique I've been testing thats enables me to completely relight a photograph after it has been taken

WORK IN PROGRESS

New light sculpture design nearing completion

NEW INSTALLATION TESTS

CASTING OUT THE SELF

The new POSTmatter site is up an running with new 3d renders, zoomable photographs, and animations

POSTMATTER EXHIBITION LAUNCH

BJP ARTICLE FEATURING CASTING OUT THE SELF

POSTMATTER COMMISSION

I have work showing as part of POSTmatter's new website launch and upcoming issue New Mythologies, kicking off with the launch party on the 29th Sept. 3d renders, animations and experimental imagery, with commissioned text by Lucy Soutter, soundscapes created through close work with Dave Corney, and digital collaborations with Jules Malcomson.

We're relaunching on 29 Sept with our first online issue, New Mythologies. Featuring new work from @D_Hawgood, introduced by @LucySoutter. pic.twitter.com/ZUHdn7qD8N
— POSTmatter (@POSTmatter) September 21, 2016

POSTmatter relaunches, to find meaning amidst the chaos of the digital age: https://t.co/dWeI72GsQU pic.twitter.com/yNBKusBrrN
— BJPhoto - 1854 (@1854) September 29, 2016

LIGHT SCULPTURE

I'm currently designing new light sculptures as part of Casting Out the Self

KONBINI

Interview about my forthcoming project Casting out the self , discussing content, ideas and inspiration behind the work

FOAM MAGAZINE EXHIBITIONS

WINTERTHUR MUSEUM PLAT(T)FORM 2016

I was nominated to take part in Plat(t)form 2016, and my work selected by the expert panel of judges as exceptional

PHOTOWORLD MAGAZINE CHINA

Lucy Soutter has recently included my work in a new article for Photoworld Magazine 'Expanded Photography: Persistence of the Photographic', below is an excerpt...

Dominic Hawgood uses computer-generated imagery to test the limits of what we perceive to be real in photography. This image is a computer-generated rendering of an exhibition rather than an actual photograph, a strategy that allows the artist to imaginatively project what an ideal exhibition would look like, and in practical terms to solve curatorial problems, and to circulate his work in its ideal form. Some of the images within the rendered exhibition show objects that have been computer generated rather than photographed. Showing scenes and objects associated with exorcisms at African pentacostal churches around London, the images reflect on the extremes of human experience and what is felt as authentic or real. The form the work takes is highly mediated via various digital processes, yet the investigation remains close to questions about the possibilities and purpose of photography in relation to human truth.

Dr Lucy Soutter is an artist, critic and art historian. She is Senior Tutor in the Department of Critical and Historical Studies Humanities at the Royal College of Art and is the author of Why Art Photography? (London: Routledge, 2013

AXISWEB ARTIST OF THE MONTH

FOAM TALENT INSTALLATION

Documentation from the light installation build at Atelier Néerlandais in Paris for Foam Talent

WORK IN PROGRESS 3D SCAN ANIMATION

CHRISTOPHE GUYE GALLERY

BLOG TAKEOVER

I am currently blogging for Der Greif magazine and uncovering the process behind my work

SOLO SHOW PHOTOIRELAND ADVERT

OONAGH YOUNG GALLERY

Under the Influence is currently exhibiting at Oonagh Young Gallery, Dublin. The solo show reimagines a previous work, The Anointing Water Version 1.0 as an illusory light installation and 3d print that takes on the appearance of a monitor screen

WHITECHAPEL GALLERY

FOAM TALENT 2015

PHOTOIRELAND

3D SCAN FOR RED MANSION SHOW INSTALLATION

RED MANSION DIARY

As part of my residency last year with Red Mansion I was commissioned to produce a diary of my time in China. In response I put together a small series of images taken during my travels that were inspired by the dreamlike quality of the light, and created a Japanese bound book.

ARTIST TALK

3D SCAN FOR PLANCHE(S) CONTACT #5 EXHIBITION

The Veil, 2014 (Self-Adhesive Fabric Vinyl)

CATLIN GUIDE 2015

I have been selected as one of the UK's most talented new artists in this years Catlin Guide 2015, and will be showing with them at London Art Fair to coincide with the publication launch.

UNCERTAIN STATES EXHIBITION

And she goes down, 2014 (Self-Adhesive Fabric Vinyl)

ARTSY EDITORIAL

THESIS: THE THERAPEUTIC REAL

The thesis was awarded a distinction and can be downloaded from the following LINK. It identifies a recent cultural phenomenon: literary and filmic re-enactments of real-life events that produce in their participants a kind of reality of the moment, thereby generating a particular sense of self aware authenticity for the viewer.